The Sea at Bognor by Theodore Roussel, 1895, depicting a serene coastal landscape with beach, water, and distant cliffs under soft natural light Stock Photo

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The Sea at Bognor by Theodore Roussel, 1895, depicting a serene coastal landscape with beach, water, and distant cliffs under soft natural light

RFID:3EHRMEK

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Image details

Contributor:

Canvas Classics

Image ID:

3EHRMEK

File size:

12.7 MB (1 MB Compressed download)

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Dimensions:

3000 x 1484 px | 25.4 x 12.6 cm | 10 x 4.9 inches | 300dpi

Date taken:

1 January 1895

Location:

France

More information:

Access rights only. This is a handout or public domain image supplied by a third party. Ģ��ý grants access to the digital file but provides no warranties regarding copyright or moral rights. Alteration, modification, or cropping is prohibited without prior approval. All commercial uses require advance authorization from the content provider.

This image could have imperfections as it’s either historical or reportage.

Illustrates Roussel's pioneering technique in color etching and his observation of English coastal scenery

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RM3FCRM1M–The sea at Bognor, View of the sea at Bognor Regis, print, printmaker: Théodore Roussel, 1895, paper, etching, aquatint, drypoint, soft-ground etching, vernis mou and aquatint in colours, height 264 mm x width 294mm, coast, West Sussex., A rectangular seascape centered on a pale background shows a shoreline with sandy foreground, foamy waves, and turquoise to deep teal water beneath a grayish sky with a few white clouds; surrounding the seascape are flowing pencil or ink decorative swirls and floral motifs drawn in a loose, curving style, and a geometric border with repeated angular corner

RF3EHRMEJ–The Sea at Bognor by Theodore Roussel, 1895, depicting a tranquil coastal landscape with pale sky, turquoise water, and sandy beach

RM2AHR55C–Theodore Roussel. The Sea at Bognor. 1895. France. Softground etching, inked à la poupée, on ivory laid paper Roussel was a pioneer in color etching in Britain, and this series of trial proofs illustrates his creative process. For many of the proofs, colored ink was painted onto the plate and then apparently printed without using a press. The completed version of this soft ground etching was among a set of nine color prints first exhibited in 1899. Roussel also made a painting of the same view of sky, sea, and shore at Bognor Regis, located on the southern coast of England.

RM2A2KRWC–The Sea at Bognor, 1895, Theodore Roussel, French, worked in England, 1847-1926, France, Etching, drypoint and softground in green and monotype in greenish blue on bluish ivory laid paper, 75 × 141 mm (image/plate), 100 × 151 mm (sheet, trimmed within plate mark

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RM3A7N8XY–A serene seascape featuring gentle waves in striking green hues lapping against a sandy shore, beneath a softly clouded sky., Classic art with a modern twist reimagined by Artotop, The Sea at Bognor, 1895, Theodore Roussel, French, worked in England, 1847-1926, France, Color monotype, softground, and inkless intaglio on ivory laid paper

RF3EHRMCX–The Sea at Bognor by Theodore Roussel, 1895, depicting a calm coastal landscape with soft clouds above a horizon line, sandy beach in foreground

RM2AHR566–Theodore Roussel. The Sea at Bognor. 1895. France. Color monotype, softground, and inkless intaglio on ivory laid paper Roussel was a pioneer in color etching in Britain, and this series of trial proofs illustrates his creative process. For many of the proofs, colored ink was painted onto the plate and then apparently printed without using a press. The completed version of this soft ground etching was among a set of nine color prints first exhibited in 1899. Roussel also made a painting of the same view of sky, sea, and shore at Bognor Regis, located on the southern coast of England.

RM2A2KRWE–The Sea at Bognor, 1895, Theodore Roussel, French, worked in England, 1847-1926, France, Monotype in two tones of greenish-blue ink on ivory laid paper, 46 × 140 mm (image), 100 × 150 mm (sheet, plate mark only partially visible

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RM2AHR55T–Theodore Roussel. The Sea at Bognor. 1895. France. Soft ground etching, inked à la poupée, in yellowish green and greenish blue on ivory laid paper Roussel was a pioneer in color etching in Britain, and this series of trial proofs illustrates his creative process. For many of the proofs, colored ink was painted onto the plate and then apparently printed without using a press. The completed version of this soft ground etching was among a set of nine color prints first exhibited in 1899. Roussel also made a painting of the same view of sky, sea, and shore at Bognor Regis, located on the southern

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